Things play out much more like a crime-thriller this time out as we watch an honest cop try to uncover who is killing the corrupt police officers in his precinct (a plot device that feels very topical these days). By going the copycat killer route the film is able to acknowledge and be connected to the original storyline in order to ensure there's a sense of continuity for longtime fans, while cleverly giving itself the freedom to do its own standalone thing and put some unique spins on familiar elements in the process to potentially bring in some new ones. Rather, it's the next chapter in the Saw universe. Something I think it succeeds at marvelously. A big portion of the pre-release marketing was centered around how this was meant to take the franchise in a new direction, while still remaining true to its roots. That's part of what got me so excited for Spiral. Keeping John Kramer's story going for so long after his death like that was just getting convoluted and more than a little ridiculous, while also making it nearly impossible for newcomers to jump in. Keeping John Kramer's story going for so long after his death like that was just getting convoluted and more As much fun as 2017's Jigsaw was, it being one of the better entries in the series overall, there were some clear signs that these movies were in need of a shakeup moving forward. … ExpandĪs much fun as 2017's Jigsaw was, it being one of the better entries in the series overall, there were some clear signs that these movies were in need of a shakeup moving forward. Sinceramente, esta película me ha encantado. pude sentir todo eso con la escena final. haciéndome recordar a las trampas ejecutoras de las demás películas: El susto de Adam, la impotencia de Eric Matthews, la ira de Jeff, la sorpresa de Daniel Rigg, la desesperación de Peter Strahm, la adrenalina de Hoffman, la satisfacción de Gordon y la resignación de Brad Halloran. Lo mejor de las películas de Saw son las trampas y escenas finales, y la trampa del títere me pareció genial. Finalmente, la escena final me parece hermosa, en el sentido que cuando la vi, me hizo sentir como cuando estaba viendo las primeras películas por primera vez. Esos acertijos mentales y las brutales trampas lo demuestran. Por otra parte, el nuevo antagonista, a mi parecer supo interpretar muy bien la filosofía y metodología de Jonh Kramer. Las trampas son tan difíciles y duras de superar que parecieran haber sido hechas por Amanda o Hoffman, pero dejando oportunidad de liberarse. Me pareció una bocanada de aire fresco dándole otro tono mas enfocado a lo policiaco y al thriller, pero me parece una secuela digna sinceramente. For gorehounds, the pleasure comes with each scene of graphic and fantastic carnage at the hands of contraptions that make an iron maiden look like a Sit ’n’ Spin.This review contains spoilers, click expand to view. Horror fans love “Saw,” and might enjoy “Spiral” for its ingeniously cruel tests, gory outcomes and “what would you do?” scenarios. (It also, strangely, has the flat affect of the Midwest.) How scary are “Saw” and “Spiral”? In “Spiral,” his catchphrase - “I want to play a game” - is delivered in a digitally distorted voice that sounds like what a perverse and unforgiving psycho would sound like. Jigsaw doesn’t have the name recognition of villains like Jason or Freddy, but he has a devoted fan base. The killer has a fascinating back story revealed in one of the original film’s biggest twists. He communicates via a dapper ventriloquist’s dummy with a white face, red beady eyes, a red lip and signature red swirls on his cheeks. The Jigsaw Killer, better known as just Jigsaw, is the bloodthirsty maniac who orchestrates sick little games for people he thinks don’t deserve to live.
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